As a neorealist bildungsroman, or coming-of-age story, Ferrante’s novels portray two “perceptive and intelligent” girls, Elena Greco and Raffaella Cerullo, as they strive to forge their lives out of a poor, violent and stultifying neighborhood on Naples’ outskirts.

“The novels neatly fit into the Italian neorealist style, championed by writers Alberto Moravia and Elsa Morante,” said Italian Ambassador to Korea Marco della Seta at the event. “The story is universal, depicting Naples, humanity and the friendship and struggle of two women from childhood through adulthood.”

Noting that Ferrante is the pen name of the real author, whose identity is cloaked in secrecy, the envoy argued that the novels were successful partly due to Ferrante’s mysterious character. Ferrante’s work also exemplifies the strengths of the Italian language, which is evident in culture, music, literature, cinema and food, he added.

“I’ve never met Ferrante and nor have you. But we like her writings so much and think as if we are talking with her,” said Kim Eoun-ho, publisher of Hangilsa. “At the Frankfurt Book Fair last year, I had a great time discussing and reveling in Ferrante’s novels with some 50 leading publishers from around the world. Her books are like rainbows and bridges connecting people.”

By Joel Lee (joel@heraldcorp.com)