Most Popular
-
1
Dongduk Women’s University halts coeducation talks
-
2
OpenAI in talks with Samsung to power AI features, report says
-
3
Two jailed for forcing disabled teens into prostitution
-
4
Russia sent 'anti-air' missiles to Pyongyang, Yoon's aide says
-
5
Trump picks ex-N. Korea policy official as his principal deputy national security adviser
-
6
S. Korea not to attend Sado mine memorial: foreign ministry
-
7
South Korean military plans to launch new division for future warfare
-
8
Gold bars and cash bundles; authorities confiscate millions from tax dodgers
-
9
North Korean leader ‘convinced’ dialogue won’t change US hostility
-
10
Hyundai Motor’s Genesis US push challenged by Trump’s tariff hike: sources
The Busan International Film Festival announced the nominees for its New Currents category, which awards up-and-coming Asian directors, Friday.
The selections provide distinctive perspectives and themes found throughout east and southwest Asia, BIFF said in a statement.
Three of the nominated films are Korean pieces that convincingly tell tragedies in different ways. Shin Dong-seok’s “Last Child,” about parents’ ambivalent feelings toward a child who survived an accident that claimed the life of their son; Kim Ui-seok’s “After My Death,” a story about a girl’s suicide and an ensuing witch hunt to track down the cause; and Ko Hyun-seok’s “How to Breathe Underwater,” which shows the tragedies that befall two co-workers.
Four films have been nominated from China, Hong Kong and Taiwan, where a long tradition of independent films seems to be back on track, BIFF said.
The selections provide distinctive perspectives and themes found throughout east and southwest Asia, BIFF said in a statement.
Three of the nominated films are Korean pieces that convincingly tell tragedies in different ways. Shin Dong-seok’s “Last Child,” about parents’ ambivalent feelings toward a child who survived an accident that claimed the life of their son; Kim Ui-seok’s “After My Death,” a story about a girl’s suicide and an ensuing witch hunt to track down the cause; and Ko Hyun-seok’s “How to Breathe Underwater,” which shows the tragedies that befall two co-workers.
Four films have been nominated from China, Hong Kong and Taiwan, where a long tradition of independent films seems to be back on track, BIFF said.
“In contrast to the previous and excessive commercialization of mainstream films, (films from the Greater China region) have adopted a new way to maintain tradition in independent films.”
The nominated works are “Somewhere Beyond the Mist” by Hong Kong director King Wai Cheung, which pictures generational conflict and discord; “End of Summer” by Zhou Quan, a story of friendship between a boy who loves soccer and an older neighbor; “One Night on the Wharf” by Han Dong, which depicts a terrifying night that a community experiences; and “The Last Verse” by Taiwanese director Tseng Ying-Ting, a lyrical drama that traces the transition of a couple experiencing modern times in Taiwan.
Two selections come from the Asian Cinema Fund, which funds up-and-coming movie projects. Indian director Pushpendra Singh’s “Ashwatthama” captures the anxiety and heartbreak of a motherless boy in the limelight of Indian mythology, according to BIFF. Shin’s “Last Child” is also an Asian Cinema Fund project.
Additional nominees are India’s “Ajji” by Devashish Makhija and Iran’s “Blockage” by Mohsen Gharaei.
The New Currents category seeks to foster promising Asian directors. It has introduced numerous young directors to the international stage in the past.
BIFF is set to run from Oct. 12-21 in Busan.
By Rumy Doo (doo@heraldcorp.com)
